
Elizabeth Conway
Bendigo Open Studios
See where art lives – Visit the working studios of Bendigo based artists
9th – 11th October
10am – 4pm
2 McGraths Lane, Longlea
Still life and landscape oil paintings, archival prints and gift cards for sale. Complimentary sparkling wine and home-made cake. Eftpos available.
Website: bendigoopenstudios.org
Instagram: @bendigoopenstudios
Facebook: Bendigo Open Studios
View my Bendigo Open Studios Profile
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620 x 500 mm
Gouache on paper
FramedSOLD
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620 x 500 mm
Gouache on paper
FramedSOLD
Charlie Moreland Reserve is named after a long-term ranger to this area, is a green oasis set in a grassy open forest nestled close to Little Yabba Creek and is surrounded by native pine plantations. There was a perfect waterhole there for swimming and amazing walks into the cool deep forest. As I sat painting, I also hoped to see platypus but unfortunately, I was not lucky enough to see the elusive little animal there or in fact anywhere around Australia. Much of Queensland has been cleared of forest so it is always exciting to find reserves that are saved to protect our precious environment.
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620 x 500 mm
Gouache on paper
FramedSOLD
On our trip doing the lap around Australia, we were lucky enough to arrive at the campsite at Illawong Beach without another person there. It is special and feels like a gift when you arrive to find a secluded beach. When you have time off you learn to eventually slow down and take in the beauty of it all. Each place has something unique, a sole tree in the landscape can be poetic. Once your viewpoint changes, every scene becomes a composition. The challenge for me as an artist was to convey the sense of movement, light and spontaneity. Learning when to stop painting was difficult, to keep some mystery in the work allows the viewer to think that there might be something just ahead. The path can be over a hill or mountain it can draw you in. The unfinished landscape does not have to be fully defined or finished. That is my mission as an artist.
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620 x 500 mm
Gouache on paper
Framed$500
There is something mystical about the long road. We completed over 25,000kms on our ‘lap’ of Australia in 2023. Cutting across the Nullarbor Plain back to Bendigo boasts the longest straight stretch of road in the world. Getting off the road to allow road trains to pass us, first a distant rumble and then a mad metallic streak that barrels past you. Passing Japanese people on bikes making their way across our sunburnt country and grey nomads living the dream in style. The road ahead is our future and we can’t go back to the past. Living on the road gave us time to reflect on what is important and what is not. The beauty of the road ahead is that it is an unknown adventure waiting for us all…..
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620 x 500 mm
Gouache on paper
FramedSOLD
We camped at this lovely spot close to Port Neill on the Eyre Peninsula. Carrow is a local Aboriginal word for water soaks. Later, colonialists took advantage of the underground water, building a windmill that still stands today. Relics of the past are still there including old water pumps and a water cart. I was drawn to the uncomplicated shapes of the low bushes close to the beach and the stunning turquoise waters in the distance.
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620 x 500 mm
Gouache on paper
FramedSOLD
Just 10 minutes from the South Australian border is Eucla – the largest settlement built on the Nullarbor Plain. We wanted to stop there to check out the old Telegraph Station ruins as I had memories of visiting there as a child. The remaining old stone walls of the station are slowly being covered by the sand drifts caused by a rabbit plague that has destroyed dune vegetation over time. It was late afternoon, and the long shadows appealed to me. We walked down to the deserted and secluded Eucla Jetty that was home to multitudes of water birds. It was hard to believe that once Eucla was a thriving town responsible for transferring information from East to West.
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620 x 500 mm
Gouache on paper
FramedSOLD
We ended up being stranded in Winton for four or so days due to our 4WD overheating on the road and having to be towed to this lovely little outback town. Being in a remote town means you are at the mercy of a busy and overworked mechanic who needs to order parts from major towns and to fit you into his endless appointments. The mechanic’s yard in Winton resembled a graveyard of vehicles waiting to either be fixed or written off by insurance companies. Many people were staying in their caravans or 4WD vehicles, much like us hoping and waiting..
We used this time to visit the world’s only known record of a Dinosaur Stampede at Lark Quarry where up to 150 two legged dinosaur fossilised footprints were left in the clay from millions of years ago. On the way to the conservation park, I took many photographs of the outback’s warm colours that were captured in the hot afternoon sun. These photographs inspired the creation of this painting.
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620 x 500 mm
Gouache on paper
Framed$500
Noosa is a favorite place of mine, and I have fond memories of spending time there with my teenage daughter. Noosa has become a tourist mecca but if you leave the busy streets, fancy shops and the crowds behind to head up the hills into the National Park, then you are rewarded with stunning and secluded beach vistas. In this painting, I wanted to capture the shadows created by the pandanus palms along the boardwalk leading to a hidden beach. A special place that would otherwise be missed without noticing this play of light and dark.
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620 x 500 mm
Gouache on paper
Framed$500
There was something special about Illawong Beach. I was really attracted to the simplicity and uncluttered essence of the landscape. We were now in our tenth month of our journey on our lap around Australia and time had started to slow down for me and I felt I had a deeper connection to the environment, appreciating the subtleties of form, colour and light.
It is easy and we all fall into the trap of making ourselves busy, where distractions are abound, and we often overlook the profound beauty before us.
I loved the subdued hues of Illawong Beach at sunset, everything was still and quiet, the soft hues and the interplay of shadows helped me to make each stroke more deliberate. When we take the time to look in these moments of quiet observation it is only then that we can truly appreciate the richness of our natural world in all its beauty and find solace in its simplicity.
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620 x 500 mm
Gouache on paper
FramedSOLD
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620 x 500 mm
Gouache on paper
FramedSOLD
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730 x 580 mm
Oil on canvas
FramedSOLD











